This Black, Black Horse-Working Images 2

This black horse has been painted and repainted at least 30 times!  I feel comfortable with the base body and shape now but am concerned regarding a probable miscalculation of the horse size v.s Martin Luther King Jr.'s size.  Most artist have problems with math, as do I.  It is imperative that I calculate the small sketched to match the large painting and it is difficult!

I have learned to sketch my work now, where I did not before.  Learning patience is also an attribute which is growing in me.  Although I have become very frustrated at times with the black horse, I forced myself to continue because I saw it as a challenge that I have had to endure and finally have the mind set to complete.  The main source of perspective came from this photograph I found on google.  Please note that I do not take any credit for this photograph and thank the artist/writer/editor for publishing it.




Author: Howard Norfolk
Title:  A Tour of China in Winter, Part 1d: The Beijing Museum of Natural History

www.aquarticles.com/articles/travel/Norfolk_1... 

So from the beginning the sketch was useless.  I would paint the sketch and it looked too small for Martin Luther King's body.  Since the face was so imperative, I based the entire horse's size from this 18" head.  If the rear looked in correct proportion, the front of the horse was off and visa-versa.  Only after finally setting myself free from the fear of making it too large, I conquered the black horse~

The Black Horse is moving right along.  His body will be complete by the 01/31st and the head will follow.   The orange is the fire of Hell which follows The Pale Horse (see the working images blog for The Pale Horse).

Keep in mind, you are seeing 64 square feet of the painting here which was a challenge in perspective!  The Black horse will be over 9 feet tall when completed.   Martin Luther King’s foot is an actual size 12 in the painting, just to give you an idea of his size on canvas.

The high gloss emulsion required to seal the real hair onto the canvas for the mane (and tail) creates a glare on the photos and for that I apologize.  I will have to have professional quality photos taken at a later date.  The balances, or scales are incomplete.

The swirling fur pattern is seen here, as well as the lines of the 48″ x 48″ canvases.  Martin Luther’s feet hang in the wheat and barley which is still incomplete.  The highlights of the horse’s musculature id Interference Blue (a metallic blue powder).

The dead, black-green grass of The Pale Horse coming will crash into the live wheat and barley grass of The Black Horse.  I like the dirt division line but am having a problem making The Pale Horse look further away.  The green and beige grasses need to be taller, brighter and more detailed to make the perspective of distance.

Wheat and barley, incomplete.  I have learned a new technique of painting here.  Holding the brush gently enough yet twisting it at the same time yeilds a 30" strand of paint!  The knees with fur detail.  Martin Luther’s toes are hanging down here and still incomplete as well.  I am considering something in the background but am unsure what may be there at this point.  It is a lot of space.

Close up of the real hair, unfinished as well.  I used far more hair than I wanted.  It has been a long time since I worked with the hair and forgot just how overwhelming it can be.  The picture is blurry and I will be taking more.  The hair also requires much more for finishing to create the effect of being “a part” of the painting.

Watch for more…. 

 

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